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| COPLAND, Aaron (1900-1990) | Black and white photograph of the composer, Aaron Copland, seated at music stand, holding a baton and in rehearsal pose, signed. | [ca 1980] | £175.00 | details enquire |
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| CARO, A. | Allô Allô? Mazurka des Telefonistes, Pour Piano par A. Caro. [Score]. | [ca 1900] | £300.00 | details enquire |
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| CHAITKIN, David (1938-2011) | Scattering dark and bright. Duo for piano and percussion (1978-79). [Score]. | [1979] | £20.00 | details enquire |
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| CORELLI, Arcangelo (1653-1713), PERGOLESI, Giovanni Battista (1710-1736), SAMMARTINI, Giovanni Battista (1700-1775), CIRRI, Giovanni Battista (1724-1808) | Partbooks of trio sonatas comprising: i) CORELLI, Arcangelo (1653-1713): Opera Prima. XII Sonatas of three parts for two Violins and a Bass, with A Through Bass for ye Organ, Harpsicord or Arch Lute. Engrav’d from ye Score and Carefully Corected by [sic] ye best Italian Masters. London: Printed for J. Walsh, [ca 1740]. Pl.no.364. Each [i (title)], 13pp. RISM A/I/2 and A/I/11 C 3673. BUC p.217. Smith & Humphries no.412; ii) Opera Secunda. XII Sonatas of three parts for two Violins and a Bass, with A Through Bass for ye Organ, Harpsicord or Arch Lute. Engrav’d from ye Score and Carefully Corected [sic] by ye best Italian Masters. London: Printed for J. Walsh, [ca 1740]. Pl.no.365. Each [i (title)], 13pp. RISM A/I/2 and A/I/11 C 3711. BUC p.218. Smith & Humphries no.415; iii) Opera Terza. XII Sonatas of three parts for two Violins and a Bass, with A Through Bass for ye Organ, Harpsicord or Arch Lute. Engrav’d from ye Score and Carefully Corected [sic] by ye best Italian Masters. London: Printed for J. Walsh, [ca 1740]. Pl.no.366. Each [i (title)], 14pp. RISM A/I/2 and A/I/11 C 3755. BUC p.219. Smith & Humphries no.419; iv) Opera Quarta. XII Sonatas of three parts for two Violins and a Bass, with A Through Bass for ye Organ, Harpsicord or Arch Lute. Engrav’d from ye Score and Carefully Corected by ye best Italian Masters. London: Printed for J. Walsh, [ca 1740]. Pl.no.367. Each [i (title)], 13pp. RISM A/I/2 and A/I/11 C 3788. BUC p.220. Smith & Humphries no.423; v) PERGOLESI, Giovanni Battista (1710-1736): Twelve Sonatas For Two Violins and a Bass or an Orchestra. London: Printed and sold by R. Bremner, [ca 1780]. Each [i (title)], 25pp.; p.1 with publisher’s catalogue. RISM A/I/6 and A/I/13 P 1426. BUC p.771; vi) SAMMARTINI, Giovanni Battista (1700-1775): Six Sonatas call’d Notturni’s in 4 Parts for a German Flute and two Violins, with a Bass for the Violoncello or Harpsicord, Compos’d by Sigr. Gio. Batta. St. Martini, Opera Nona. London: Printed for J. Walsh, [1762]. [i (title)], 10, [i (title)], 11, [i (title)], 11, [i (title)], 10 (lacking p.11) pp. RISM A/I/8 S 673 references just one copy (Paris). Not in LibraryHub, BUC or BL. Smith & Humphries no.1311. First advertised for sale in the Public Advertiser of 13 January 1762; vii) CIRRI, Giovanni Battista (1724-1808): Six Quartettos, four for a German-Flute, 2 Violins & a Bass, and two for 2 Violins, a Violoncello obligato and a Bass, Opera X. Dedicated to the Right Honourable The Earl of Abingdon. London: Printed for the Author, [1768?]. [i (title)], 10, [i (title)], 10, [i (title)], 7pp. Two violins and cello obligato part only. Engraved by Thomas Straight (fl.1765-1796). RISM A/I/2 and A/I/11 C 2504 references four copies. BUC p.192 references just one copy. | [ca 1740-1780] | £675.00 | details enquire |
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| CRAMER, Johann Baptist (1771-1858), MAZZINGHI, Joseph (1765-1844), COSTELLOW, Thomas (fl.1775-1800), ROSS, J. of Aberdeen, ROBINSON, T. of Dublin, PARRY, John (1776-1851), SANDERSON, James (1769-1841?), EDELMANN, Johann Friedrich (1749-1794), ARNOLD, Samuel (1740-1802), POWELL, Thomas (1776-ca 1865), HANDEL, George Frideric (1685-1759), LATOUR, Francis Tatton (1766?-1837), STEVENS, Richard John Samuel (1757-1837), HAYDN, Joseph (1732-1809), BLEWITT, Jonas (d.1805), ABRAMS, Harriett (1758?-1822?), KELLY, Michael (1762-1826), COOKE, Benjamin (1734-1793), THORLEY, Thomas, ARNE, Thomas Augustine (1710-1778) | Volume of twenty-seven compositions for piano, comprising: i) CRAMER, Johann Baptist (1771-1858): Rousseau's Dream, An Air with Variations for the Piano Forte … Dedicated to The Right Honble. The Countess of Delaware. London: Printed & Sold by Chappell & Co., [1814, wm 1813]. Pl.no.216. [i (title)], 9pp.; ii) MAZZINGHI, Joseph (1765-1844): Huntsman Rest, With Variations for the Piano Forte with an Accompaniment for the Flute. Inscribed to The Right Lady Georgiana Molyneux. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1819]. [i (title)], 8pp.; iii) COSTELLOW, Thomas: An Introduction, for the Piano Forte, to which is Added, the favorite Scotch Air, with Variations, Ye Banks & Braes o Bonnie Doon. Inscribed to Miss E. Montgomery. London: Printed & Publish'd by Longman & Herron, [inter 1816-1822]. 7pp. Not in LibraryHub; iv) MAZZINGHI: Nel cor piu non mi Sento, Sung by Sigra. Catalani, at the King's Theatre. Arranged for the Piano Forte, With Variations. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 8pp.; v) MAZZINGHI: Bavarian Air, with Variations for the Piano Forte, with an Accompaniment for the Flute. Composed for The Right Honorable Lady Charlotte Cholmondeley. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 8pp.; vi) ROSS, J. of Aberdeen: The Maid of Linton, A Scottish Air, With Variations, for the Piano Forte. London: Printed by Clementi & Co., [wm 1814]. [i (title)], 5pp.; vii) ROBINSON, T. of Dublin: The Favorite Air of the Blue Bell of Scotland, with Variations for the Harp or Piano Forte. London: Printed by Goulding, Phipps & D'Almaine, [wm 1813]. 7pp. Drop title; viii) PARRY, John (1776-1851): No.1. The favorite Welsh Air, of Cynghan Sail Cymry, or The Welsh Ground, Arranged with Variations for the Harp. London: Printed & sold at Bland & Weller's Music Warehouse, [ca 1810]. 5pp. Not in LibraryHub; ix) MAZZINGHI: No.4, Variations to the Favorite Air of Ave Maria from the Lady of the Lake, With Accompaniments for the Harp and Flute, Composed for & Inscribed to The Right Honble. Lady Maria Molyneux. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1813]. 10pp.; x) MAZZINGHI: No.7 Sclavonian Air, With Variations for the Piano Forte, Harp & Flute, Composed & Inscribed to the Honble. Miss Townshend. [Piano part]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1813]. 7pp.; xi) MAZZINGHI: The Favorite Overture to Paul and Virginia, Performed at the Theatre Royal Covent Garden. London: Printed by Goulding, Phipps & D'Almaine, [wm 1801]. [i (title)], 5pp.; xii) SANDERSON, James (1769-1841?): The Favorite Overture, in the new Pantomime called the Seasons performed at the Royal Circus, with universal Applause, Accompanied by Mr. Adams & Mr. Murphy, on the Harp & Union Pipes, Composed in a Familiar Stile by J. Sanderson. London: Printed by Longman, Clementi & Compy., [1799]. 12pp. Not in RISM or BUC; xiii) EDELMANN, Johann Friedrich (1749-1794): A favorite Overture for the Harpsichord or Piano Forte, with Accompaniments for Two Violins, Two French Horns and Violoncello ad libitum, Opera IV. The Harpsichord part alone. London: Printed by Longman and Broderip, [ca 1790]. [i (title)], 9pp. RISM A/I/2 E 388. BUC p.311; xiv) ARNOLD, Samuel (1740-1802): Overture to Peeping Tom, as Performed at the Theatre Royal, Covent Garden. London: Printed by John Longman, Clementi & Co., [18??]. 6pp. Drop title. Imprint not in LibraryHub; xv) POWELL, Thomas (1776-ca 1865): My Love She's but a Lassie yet. A Favorite Scotch Air, arranged with Variations for the Piano Forte, and respectfully dedicated to Miss E. Head. London: Printed by Goulding, Phipps, D'Almaine & Co., [wm 1809]. 4pp. Drop title; xvi) HANDEL, George Frideric (1685-1759): The Musical Paragon, containing a series, Most of which are newly arranged for the Piano Forte, from the Compositions of Handel, Haydn .... &c. No.1 [Dettingen Te Deum, first movement]. London: Printed by Goulding, D'Almaine, Potter & Co., [wm 1815]. 5pp. Decorative title; xvii) LATOUR, Francis Tatton (1766?-1837): The Rising of the Sun. A Welsh Air, Arranged as a Rondo for the Piano Forte. London: Printed & Sold at Bland & Wellers Music Warehouse, [wm 1813]. 3pp. Drop title. LibraryHub references just two copies; xviii) STEVENS, Richard John Samuel (1757-1837): Bragela, the Poetry from Ossian. Trio for two Soprano's and a Bass, With an Accompaniment for Two Performers on One Piano Forte. ['O strike the Harp']. London: Printed & Sold for the Author by Preston, [wm 1813]. 12pp. Drop title. Signed by the composer; xix) HAYDN, Joseph (1732-1809): The marv'lous work behold Amaz'd, Sung by Mr Incledon in the Creation. London: Printed by G. Walker, [ca 1815]. 3pp. Drop title. LibraryHub references four copies; xx) HANDEL: Oh! had I Jubal's Lyre. [London: s.n., ca 1810]. [3] pp; xxi) HANDEL: Three Favorite Marches in Ptolomy, Scipio, and Richard the 1st., for the Piano Forte. London: Printed & Sold by Preston, [wm 1813]. 3pp. Drop title. Not in LibraryHub; xxii) BLEWITT, Jonas (d.1805): Ar hyd y nos, a Popular Welch Song also arranged with Variations, for the Harp & Piano Forte. [London]: Printed by Thos. Jones & Co., [wm 1799]. 6pp. Drop title. Edges worn and repaired. LibraryHub references just two copies. Not in RISM or BUC; xxiii) ABRAMS, Harriett (1758?-1822?): The Orphans Prayer. A Pathetic Ballad, The Words by M.G. Lewis Esqr. and Set to Music with an Accompaniment for the Harp or Piano Forte. London: Printed & Sold by L. Lavenu, [wm 1800]. 6pp. RISM A/I/1 and A/I/11 A 207. BUC p.4; xxiv) KELLY, Michael (1762-1826): The Celebrated Gypsey Song of Cross my Hand & you shall know, Sung by Mrs. Bland in the Play of Aurelio and Miranda, as performing at the Theatre Royal Drury Lane. London: Printed for Corri, Dussek & Co., [wm 1801]. 7pp.; xxv) COOKE, Benjamin (1734-1793): Hark the Lark at Heav'n's gate sings. A favorite Glee for four Voices Sung at Vauxhall Gardens. Adapted to a single Voice and Harpsichord. With an Accompanyment for a Violin to be added at pleasure, or it may be played an Octave higher (with very little omission or variation) by another hand on the same Harpsichord. Composed And the Accompanyment added by Doctor Cooke. London: Printed by Longman, Clementi & Co., [ca 1800]. 6pp. Drop title. RISM A/I/2 C 3564. This imprint not in RISM or BUC; xxvi) THORLEY, Thomas: Scot's wha ha'e wi' Wallace bled. The Celebrated Scotch Song, Sung by Mr. Braham, with the most unbounded applause in Guy Mannering, with an accompaniment for the Piano Forte or Harp. London: Printed by G. Shade, [ca 1820]. 3pp. Very worn and repaired. Imprint not in LibraryHub; xxvii) ARNE, Thomas Augustine (1710-1778): Rule Britannia. ['When Britain first']. [London: L. & B. [Longman and Broderip], ca 1780]. 1p. LibraryHub references just one copy (Oxford). | [inter 1780-ca 1820] | £320.00 | details enquire |
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| COOTE, Charles (1809-1880) | The Passion Flower. Valse by Charles Coote junr. [For piano]. | [1860] | £10.00 | details enquire |
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| CORELLI, Arcangelo (1653-1713) | La Follia by Corelli, arr. for small orchestra by H. Willemsen. [Hugh J. Willemsen (fl.1900). Score]. | [1908?] | £75.00 | details enquire |
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| CHURCHILL, George Spencer (1766-1840), 5th Duke of Marlborough | Arie Con Accompagnamento, Composte da'l Marchese di Blandford. [Score]. | [wm 1815] | £250.00 | details enquire |
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| COPLAND, Aaron (1900-1990) | Black and white half-length photograph of the composer, Aaron Copland, standing on stage, conducting an orchestra, in pose, signed and dated at lower margin. | 1980 | £140.00 | details enquire |
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| CATHOLIC CHURCH | Parchment leaf (paginated lxxi) from a Missal. | [sixteenth century] | £80.00 | details enquire |
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